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Sebastiano del Piombo The Sacred Family with Holy Catalina, San Sebastian and an owner.the Holy oil painting


The Sacred Family with Holy Catalina, San Sebastian and an owner.the Holy
Painting ID::  41986
Sebastiano del Piombo
The Sacred Family with Holy Catalina, San Sebastian and an owner.the Holy
mk166 First half of the century XVI.WAVE on wood 95x136cm Museum of the Louvre Paris

   
   
     

Sebastiano del Piombo The Raising of Lazarus oil painting


The Raising of Lazarus
Painting ID::  42974
Sebastiano del Piombo
The Raising of Lazarus
mk170 1517-1519 Oil on canvas 381x289.6cm

   
   
     

Sebastiano del Piombo The Madonna and Child with Saints Joseph and John the Baptist and a Donor oil painting


The Madonna and Child with Saints Joseph and John the Baptist and a Donor
Painting ID::  42975
Sebastiano del Piombo
The Madonna and Child with Saints Joseph and John the Baptist and a Donor
mk170 circa 1520 Oil on wood 97.8x106.7cm

   
   
     

Sebastiano del Piombo Salome with the Head of John the Baptist oil painting


Salome with the Head of John the Baptist
Painting ID::  43036
Sebastiano del Piombo
Salome with the Head of John the Baptist
mk170 dated 1510 Oil on wood 55.2x44.9cm

   
   
     

Sebastiano del Piombo Portrait of Andrea Doria oil painting


Portrait of Andrea Doria
Painting ID::  51278
Sebastiano del Piombo
Portrait of Andrea Doria
c. 1526 Oil on panel, 153 x 107 cm

   
   
     

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     Sebastiano del Piombo
     1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.

     Related Artists::.
     | Emile Munier | kristian | Antonie Waldorp |


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